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Berkeley-First
Publishing: |
Berkeley-First
Publishing introduced their Classics Illustrated like this: |
CLASSICS ILLUSTRATED are adaptations of the world's greatest works of literature, produced by some of the world's most talented writers and artists. Each lavishly illustrated volume is an accurate representation of the original work - distinctive, fresh and innovative, yet faithful to the book and true to the intentions of the author. There are reasons why the original works are classics: Each is unique, each has weathered the test of time, and each continues to reflect and address the undying spirit of humanity in today's world. CLASSICS ILLUSTRATED reflect those individual styles that made the original works great - not just the stories, but the nuances as well. These adaptations naturally are abridged, but care has been taken to maintain the narrative sweep and as much of the original dialogue and narration as possible. While they stand on their own merits, CLASSICS ILLUSTRATED are not substitutes for the originals. Rather, they are artistic interpretations, perfect introductions to an exciting world of remarkable ideas and unlimited possibilities - the world of great literature.
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This oppinion on
Berkeley-First Publishing's Classics Illustrated was expressed by Frank Plowright in The Sling & Arrows Comic Guide (Aurum Press, London, 1997): |
Following the format of the highly regarded but long out of print Dell Classics
Illustrated, the idea is simple: adapt literary classics for comics. It's editorially
acknowledged these aren't substitutes for reading originals, particularly as a shortened
text is required in most cases. The poems of Poe illustrated by Gahan Wilson, the short
stories of O. Henry and Ambrose Bierce and The Rime Of The Ancient Mariner survive
relatively unedited. It's with the hefty out-of-copyright 19th century novels that there
are problems. With no fluctuation from the uniform 44 pages, some works are more
sympathetically abridged than others, and attempts to remain faithful to the source mean
that many artists do little more than illustrate a text caption. Visual impressions being
paramount, Classics Illustrated stand or fall largely on the quality of the
art, and artists are generally well matched with their subject matter. Particular triumphs
are Rick Geary's portrayal of Victorian England for Great Expectations and Wuthering
Heights, and Peter Kuper's depiction of the industrial turmoil and tragedy of Upton
Sinclair's The Jungle. Mike Ploog's rendition of Tom Sawyer is superb. Given
the restrictions, most adaptations are of a reasonable standard, and some much better than
could be expected. An appallingly drawn Hamlet and lacklustre Rip Van Winkle are
to be avoided, and while Bill Sienkiewicz's stunning art conveys the density of Moby
Dick, it's not very accessible, surely contradicting an intention of the series.
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20,000
Leagues Under The Sea by Jules Verne, adapted by Gary Gianni and published by Dark Horse Comics in 1992. |
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#1 The Raven &
Other Stories #2 Great
Expectations #3 Through The
Looking Glass #4 Moby Dick #5 Hamlet #6 The Scarlet
Letter #7 The Count Of
Monte Cristo #8 Dr. Jekyll &
Mr. Hyde #9 Tom Sawyer #10 The Call Of the
Wild #11 Rip Van Winkle #12 The Island Of
Dr. Moreau #13 Wuthering
Heights #14 Fall Of the
House of Usher #15 The Gift Of the
Magi #16 A Christmas
Carol #17 Treasure Island #18 The Devil's
Dictionary #19 The Secret Agent #20 The Invisible
Man #21 Cyrano de
Bergerac #22 The Jungle Books #23 Robinson Crusoe #24 The Rime of the
Ancient Mariner #25 Ivanhoe #26 Aesop's Fables #27 The Jungle |